

Camilla Rhodes -Mulholland Drive | Laura Harring |
I am kind of a David Lynch addict. He's insane, but his films are so beautiful at the same time. It's really amazing. Blue Velvet in particular is an utterly splendid thing to behold. But Mulholland Drive is even better. It makes this list because of Camilla-- a bisexual woman who intentionally tortures her female former lover by inviting her to a dinner party and making her think there's is a chance of reconciliation. In reality, the pathetic ex-lover arrives at the dinner party to witness the beautiful and glamorous Camilla, surrounded by wealth and fame, announcing her engagement to a handsome and successful director.
The true genius of this film is a short scene where the jilted former lover is both grief-stricken at her rejection and simultaneously sexually obsessed with Camilla. I adore this scene, and I have strived to recreate it in my own life. Power is when someone wants you so badly, they'll masturbate to thoughts of you, even though they miss you so much, they're crying tears of misery at the same time. It's just a short little scene, but it serves a perfect metaphor for what I like to do to people-- getting SO into their minds that you infest every aspect of their emotional life. They may hate me, they may cry over me, they may curse the heavens and wish they had never met me-- but they are still so in love with me and so turned on by me that they can't resist me, can't get me out of their heads no matter how hard they try.
I first saw this film in high school, and I was obsessed with that one scene in particular. Immediately I was struck with the overwhelming desire to recreate it in reality. I distinctly remember coming home one Sunday evening, having watched the film the previous evening, and as soon I as I got home, turning to appropriate page in my books to the section that contained my life goals, flipping to the page for romantic/sexual things, and boldly writing in red ink (extra importance) the words "Mulholland Dr.". (Writing the title of the film, of course, was far shorter and less potentially embarrassing than writing "Recreate the scene from Mulholland Drive where a woman simultaneously orgasm over me and cries over me.)
The problem was, such a scene is not at all easy to recreate-- even for someone of my gifts and talents. For starters, there was a complete lack of worthwhile human-props to use in my scene. I knew several girls who were deeply attracted to me, but in no case was it particularly mutual. Now, for your run-of-the-mill using and abusing, my attraction isn't that essential-- when someone's doing your homework for you, does it really matter what they look like? But this was different. This was a work of art, and I had to duty to myself to find that special someone who was as glorious as the cruelty I intended to inflict on her. And further remember that at the time I first made this goal, I was still in high school (and under-aged)-- both of which severely curtails your pool of potential victims. Yes, I had some 'special' relationships with people who worked the doors at clubs that allowed me access, but living with parents, being under-aged, having A.P. English at 8 AM-- it puts a distinct cramp in your style. And crossing off "Mulholland Drive" from my list wasn't something to cut corners on, not something to be done in half-measures. Everything had to be perfect. She had to be perfect, I had to be perfect, the locales and the relationship. So, it took me _FOREVER_ do get this done.
But once I make a goal, it's only a matter of time before I complete it. When I see something I want, it's only a matter of time before I acquire it. And my "Mulholland Dr." plan was no exception. It took me nearly five years. I was a very different person by the time I was finally able to pull it off. I had traveled the world and honed my skills and hurt a lot of people. Time well spent. When I finally settled down and decided to do the deed, it was sublime.
The first time I met her, I KNEW she would be the one. In time, she fell for me. In time, she became obsessed with me. In time, she wanted to spend her life with me. One night, after months of waiting, I decided this was the night. After a lovely dinner, we retired to her house, and after fooling around, I asked her if she had ever pleasured herself while thinking of me. She confessed she had-- regularly. I asked her, oh so politely, to show me. She obliged. Then, when she was about to come, I suddenly and bluntly told her that I that I didn't love her and that I was never going to see her again. It was a total shock to her-- an hour earlier, we had been planning a trip to meet her parents, after all. I repeated it over and over, and she started sobbing, tears streaming down her face as she realized I wasn't kidding. She wanted to stop, but I shouted at her to keep going, barking at her through her tears that she better not stop. So she kept pathetically rubbing away, even as she sobbed.
It was a wonderful, wonderful evening. It was everything I had hopped it would be, and when I dug out that 5+ year old notebook and placed a check mark next to "Mulholland Dr", I had joys beyond anything I could describe here. Michaelangelo spent four entire years lying on his back painting the frescoes of the Sistine Chapel. Thousands of artisans worked for over a century to create the Cathedral of Chartres. Coming home that night, and placing a check mark next to my old journal, replaying the scenes of the day-- I won't lie-- it was an genuine high point in my life.
And after that day, I never saw her again. I later was told, through a mutual acquaintance, that the experience actually seriously affected her, in a long-term sort of way. C'est la vie. It seems that the human heart doesn't quite know what to make of such emotional pain when mixed with such overwhelmingly intense physical ecstasy. You can't omelet without breaking a few eggs-- and think about it. All eggs get broken in the end, but so few eggs have a chance to be part of something truly magnificent.
Susan Ivey -Novocaine | Helena Bonham Carter |
I feel that whoever made the casting decisions on this film should get a Genius Grant from the MacArthur Foundation. Helena Bonham Carter is brilliant in this, and Steve Martin is really good at playing the victim of seductive women-- he's been doing it since before I was born.
A stuffy and repressed dentist is seduced by a gorgeous woman who is obviously just using him-- and he knowingly plays along, happy for the chance to be used. As he, in voice over, relates: "I knew she was scamming me, and I should have thrown her out right then... but I didn't. You see, that's the nature of attraction. You find yourself doing things, and you have no idea why... but you do them anyway."
Soon his whole life, which he has painstakingly constructed over decades, has been destroyed, and all he has left is.... her. And he's happy to make the trade.
Natalie -Memento | Carrie-Anne Moss |
I think Memento is a good film in general, but there are some excellent moments that merit a mention.
Imagine the following scenario. Your boyfriend disappears without a trace. Suddenly a stranger shows up at the bar where you work. He is wearing your boyfriend's clothes, driving your boyfriend's car, and claims to suffer from a rare type of amnesia. Do you: A) tell him to fuck off B) call the police or C) spit into his drink, have everyone in the bar spit into his drink, make the guy in question spit into the drink too, and then--- after a pause-- turn around and serve the spit-filled to the guy, and watch as he stupidly drinks it down.
Later in the film, Natalie decides that it's time for poor amnesiac boy to kill one of her enemies. Knowing amnesia-boy is basically good hearted, she decided to manipulate him into doing the deed. So she intentionally gets into a fight with amnesia-boy, humiliating him and insulting him, until he completely loses his temper and hits her. Once that is accomplished, she turns around and plays the damsel in distress, blaming her wounds on the enemy she wants killed.
When I viewed this in the theater, my companion was horrified that Natalie would take advantage of a mentally disabled man's neurological problems. But I positively ate it up.
Page Conners -Heartbreakers | Jennifer Love Hewitt |
Page and her mother are con-artists. Mom gets engaged to wealthy men, only to insist "not until marriage", leaving them completely sex-starved for months on end. On the wedding night, the bride falls asleep, leaving the wealthy groom utterly desperate. And that's where beautiful young Page comes in-- more than willing to give a man everything he wants. Mom suddenly shows up to catch her new husband in the act, sleeping with a younger woman on their wedding night-- resulting in a huge divorce settlement, and leaving another man crushed, destitute, and heartbroken. Then on to the next guy.
The early scenes of the film where the duo perform their con are dynamite. After that, the film begins to stray from what I enjoy. Page becomes rebellious, she falls in love with one of their would-be victims. I start to yawn. But despite it's later failings, parts of the film remain absolutely hilarious.
I do have ambivalent feelings about the whole con-artist aspect of the film. Page and her mom don't actually seem to enjoy their work-- they have their priorities backward. You don't play mindgames so you can pay the rent-- you do it for the sheer joy of having that kind of power. A woman who cuckolds her husband just in order to get a good divorce settlement-- that's like an artist who only paints in order to get a paycheck, or a composer who only writes music because he wants to buy a swimming pool. It strikes me as hollow and empty. Every now and then, I'll stumble across a website of a woman doing phone domination who clearly doesn't have a kinky bone in her body-- she just needs to pay the rent. It's sad and revolting-- a woman dressing up in a costume and pretending to be something she's not, so that a disgusting little man can get off on it.
This is why my site isn't "for pay". This is why I don't do "dominatrix sessions" or have a 900 number where guys can speak to me. I have no objection to the site making a little money on the side, but my purpose is self-expression and enjoyment. I cannot be purchased. I cannot be rented or leased. I cannot be commodified. There is no exchange rate that will allow you to convert "US dollars" to "Alteration of Sophia's Behavior".