

Jessica Lovejoy -The Simpsons: Bart's Girlfriend | Meryl Streep |
As soon as I decided to make a list of my inspirations, I knew this episode would be in it.
Bart falls in love with the Reverend's daughter-- who it turns out is more evil than he is. He turns his life upside down to try to impress her, but he finally succeeds when he gives in to temptation and is mischievous. Jessica takes every opportunity to hurt him, and Bart eats it up.
After their first little date, Bart tries to impress his friends by telling of his exploits. He comes up to Jessica, but she pretends not to know him. As a result, Bart is pummeled for "besmirching an innocent girl's name". Later, Jessica steals the church collection plate money and frames Bart for the crime.
Bart slowly becomes aware that she's no good. As he says,"She's like a milk dud-- sweet on the outside, poison on the inside". I have no clue how this applies to milk duds, but I know how it applies to women like me. Bart appeals to her to change her ways, saying,"Jessica, you're very beautiful, but you're not very nice." Her response is a mocking,"Well DUH".
Ultimately, the truth is revealed, and Jessica is sentenced to scrub the church stairs. As she scrubs, Bart stops by to gloat and talk about how he's over her. As Bart says,"I just wanted to let you know that even though this was a difficult experience, I really learned a lot. I'm a little wiser, and a little less naive." Jessica coyly replies "I learned that I can make men do whatever I want."
Aghast, Bart tries to educate her,"Well ... don't you see, Jessica, then you really haven't learned --". Jessica interrupts him,"Um, would you finish scrubbing these steps with me?". Bart enthusiastically yells "Will I!?!" and jumps at the chance.
The scene ends with Bart pathetically scrubbing away at the church steps as he watches Jessica get on bike with an older boy and ride off on a date with him. Seeing how enslaved the older boy is, Bart muses to himself,"Poor sucker. It's amazing what some guys will do for a pretty face! Not me, though. Wait till she sees the second-rate job I do on these stairs."
I was maybe in fifth grade when I saw this episode of The Simpsons, and I loved it. I remember it made a HUGE impression on me. As a little girl, I had actually always been into Nancy Drew novels, and this episode of The Simpsons was like a mystery novel to me. My young mind turned round and round on the mystery of this episode. Why did hellion Bart, normally the source of trouble, allow Jessica to treat him like crap? On some level, of course, I understood that it was because Bart liked Jessica-- but on another level, it was a mystery to my 11 year old mind, and one I thought about a LOT.
My family taped all The Simpsons, and I distinctly remember watching this episode several times, trying to figure out how to be more like Jessica. And I remember, in my cool 11 year old way, I tried out a few of her lines on some of the boys I didn't care for. Once during lunch a boy came by the girls' table and tried to talk to me and I said "Sorry, but I have turn over here now", turning my back on him and making my friends laugh. It was a line I had stolen from Jessica.
I wanted to be like Jessica. I wanted to understand how to do what she did. And this episode of The Simpsons helped inspire me to begin experimenting to try to find out how to control the weak.
Alicia Silverstone -Crazy | Aerosmith |

I fondly recall this video as another one of those inspirational artifacts from my childhood. I'd estimate I was in 4th grade or so when this video came out, and I was deeply mesmerized by the dynamic that plays out in the visuals. I saw things in the video that very few elementary school kids see. Again, I'm reminded of the future pyromaniac who has fleeting but memorable glimpses of matches during childhood. I was utterly fascinated by Crazy.
The lyrics of the song describe a woman who is a skilled tease-- turning men on, only to disappear. The narrator notes that this sort of behavior invariably leads to the enslavement and destruction of guys.
You turn it on,
Then you're gone
...
That kinda lovin, turns a man to a slave;
That kinda lovin, sends a man right to his grave...
The video starts with Alicia (wearing a private school uniform vaguely similar to the kind I wore at the time) skipping school. She, joined by Liv Tyler, jumps into a black convertible, and they drive off for a weekend of misadventure. While Aerosmith doesn't particularly interest me, inter-spliced with the clips of giant-lipped Steve Tyler singing, there are several delicious vignettes of the pair's hijinks.
Case in point: Alicia decides to enter Liv in an "Amateur Night Exotic Dance" competition. She convinces Liv, who promptly gets all dressed up in her finest . Alicia, meanwhile, elects to masquerade as a man in a business suit and sits in the front row of the audience. When it's Liv's turn on stage, she dances seductively while the guys in the audience look on in awe. Then, as her dance comes to its finale, Liv crawls over toward the "man in the business suit" sitting in the front row. Alicia suddenly comes to life and reveals herself to the audience, creating a stunning finish with not one, but two teen temptresses on-stage. In the last shot, we see the two scantily-clad girls sharing a bed, frolicking in the piles of cash-- the clear implication is that they are enjoying both their winnings and each other.
Later, the girls cruise past a farm, when what to their wondering eyes should appear but a chiseled guy, glistening with sweat, driving a giant tractor. The two vixens screech to a halt and yell something to the guy-- precisely what is said is left hidden from the viewer. The man, overwhelmed by their siren-song, looks overwhelmed with joy, and like an obedient dog, he instantly leaps off of his still-moving tractor. Without even wasting the time to turn off his tractor, he runs to the car and eagerly hops into the back seat. As the guy's tractor continues to drive on erratically, the three cruise off in the convertible--- the man has just thrown away his job (and his tractor) for a chance to be near the two goddesses.

Later, the two coax him into going skinny dipping in a lake. When the guy resists, the two girls just ignore him and jump in with each other, and splash each other as if they have forgotten the guy even exists. Of course, the guy instantly joins them, jumping into the lake. The scene ends with the girls, again fully clothed, driving away in their car. The guy's boxers are hanging from their rear-view mirror, and the naked man runs behind them, chases the car desperately, as the girls roar with laughter.
But the real highlight of the video is a scene in which the girls arrive at lonely gas station in the middle of nowhere. Liv pumps gas, as an old gas station attendant visibly ogles her. When she notices, Liv visibly laughs out loud at the guy's obvious state of arousal.
Meanwhile, Alicia has begun to explore the attached convenience store. She mesmerizes the clerk with a mere look, then she picks up a pair of sunglasses from the rack and tries them on, smiling seductively at the visibly shaken clerk. She sizes up the young clerk, and then, to the clerk's amazement, she holds the sunglasses directly over her open purse. She looks at the clerk as she obviously threatens to shoplift before his very eyes. The clerk, stunned by her beauty, is helpless to resist-- he sheepishly stares back, his facial expression utterly devoid of any sign of defiance.
So Alicia BLATANTLY drops the glasses in her purse-- again DARING the clerk to stop her. Instead he crumbles. He pathetically (and eagerly) nods a submissive consent-- giving her permission to take the sunglasses she has just stolen. Flushed with her newfound power power she has, Alicia steals another pair of sunglasses, and then another, and then another. She's soon joined by Liv, and the two of them both begin looting the store. They take novelty toys, snack food, lollipops, and magazines--- then walk out of the store without having paid a cent for any of the things they they took. Nor, I might add, do they pay for the tank full of gas they just pumped. As the two goddesses drive away into the night, they rudely drive over the gas station's orange cones, crushing them against the pavement. The two employees look thrilled to have been used and exploited by such beautiful women.
When I saw this video, even though I was only 10 or so-- I was OBSESSED with being like Alicia's character when I got older. I simply knew I would be just like her. In my pre-adolescent way, I even mixed the character and the actress, and developed admiration for both. For years afterwards, my mom had standing orders to buy me any of the deliciously trashy teen / glamour mags if Alicia Silverstone was featured in them. While my admiration for the character in Crazy is eternal, my admiration for Alicia Silverstone ultimately waned, and I was disappointed a few years later when she took the role of a ditzy blonde in Clueless. But by then, I had started to look to myself as my own role model.
Lastly, I must mention-- seeing this video was the first time I can clearly remember ever having any bi feelings. In the video, Alicia was clearly the person in charge, but she keeps Liz around, and eggs her on to wilder and crazier behavior. The two were visibly attracted to each other, and I can remember thinking that it wouldn't be so bad to have a female friend of this variety-- one who was in clearly love with me, easy to manipulate, and gorgeous. I was (and am) an avid diary writer, and I remember being sufficiently inspired by this notion that I composed a list of all the girls I knew at the time, and then proceeded to write numbers and symbols next to their names, thus summarizing how suitable I felt they might be for such a role. I remember being disappointed that, in my estimation, no one I knew would really be up to the task.
Ivy -Poison Ivy | Drew Barrymore |
I was really young when I saw this film-- way younger than you would expect. This is the kind of film that causes parents today to get those special TV-blockers so that their elementary school-aged daughters don't get warped by such sick and twisted depictions of how much fun you can have if you grow up to be attractive and manipulative. If my parents knew about what sort of things Ivy made guys (and girls) do, I bet they'd wish they'd never have ordered Cinemax when I was in fifth grade. Too late now. :)
Years later, Ivy was the kind of girl I tried to emulate. This film captures something really subtle that's rarely seen in film-- what it is like when a girl like me starts to make weaker girls fall in love with them. It's really different than with guys. Guys are blunt, simple, aggressive in their desires. The games I play with other women are much more subtle and subconscious and rich with meaning. Guys chase after the object of their desire; Women don't chase, they dance. Back and forth, getting closer, then pulling away in revulsion, only to be pulled back in again by their hidden and unconfessed emotions-- emotions that even they usually aren't consciously aware of. This comes out PERFECTLY in Poison Ivy.
The very first lines of the film set up the dynamic. Seductive Ivy confidently swings on a rope swing as the opening credits role. Suddenly, the angry voice of Ivy's friend Sylvie is heard discussing beautiful Ivy: "She was definitely a turn-off. Too overt. Look at her! Obviously BIG problems. I mean, most girls don't fly through the air with their skirt around their waist. Supergirl at least had the decency to wear tights." The words are laced with repressed and denied desire and admiration. Ivy is called a "turn-off", but she is described in longing, sexualized details and likened to a super-hero. Sylvie's words now turn self-conscious: "Not that I read comics. I'm more the politically/environmentally-correct feminist-poetry-reading type. You know.... boring." Sylvie hates Ivy. But worships her, admires her, and is attracted to her.
Just seconds after deriding Ivy, Sylvie turns back to admiration, musing "I guess she's sorta beautiful. Look at those lips. You know, lips are supposed to be a perfect reflection of another part of a woman's anatomy. Not that I'm a lesbian." She pauses... considers the idea as she looks at Ivy. "Well... maybe I am." Then quickly denies it: "No, definitely not." In the closing words of her monologue, Sylvie wonders to herself "maybe we should be friends."
Soon, Sylvie 'asks Ivy out as friends' saying "I don't really have any friends. Do you wanna come in?". And that's EXACTLY how girls like Sylvie are. It's never consciously a physical or sexual thing-- not at first anyway. That's always buried really deep down. What they notice first isn't sexual-- it's an admiration, a love, a worship. An embarrassed invitation to dinner or a movie that all but begs you "please be my friend". I live for those types of invitations. Guys can hit on you a thousand times a day, but it never feels as good as when a woman embarrassingly asks you to do something as her friend. They "lower themselves", confess their weakness, and risk true emotional rejection just for a chance to be around you. Lots of guys have a way of asking a woman to go out that's really no different than asking a waitress "Do I get fries with that?"-- just as cold, just as impersonal. They want sex/fries, and they'll ask whoever is nearby if they can get some. But a woman, who's obviously enamored with you, asking you out, just, ya know, as friends-- that's a total power trip. You hold their whole self-esteem in your hands, and they just gave it to you and begged you to stroke it rather than crush it.
Soon Ivy has taken over the family. They buy her things just for the opportunity to have her around. Sylvie is in love with her. The father, formerly a TV icon and moral watchdog, soon becomes utterly obsessed with Ivy, eager to trade all his morals for a chance at his daughter's gorgeous friend.
When I was 15, I had a family that became my own little "Sylvie and her dad". They lived in this HUGE mansion of a house with tennis courts, a game room with vintage slot machines, and a garage stocked with more classic cars than there were people in the family. The dad was one of those hot-shot lawyers going through a mid-life crisis. A few years earlier, when I first met my version of "Sylvie", we were in middle school and they were a happy and perfect family (or so it seemed). But then things imploded. "Sylvie"'s mom caught her fancy lawyer husband cheating and moved to her parents' house back East, taking the two younger kids with her. So by the time I reconnected with "Sylvie" several years later, her life was in utter shambles. It was just poor little nerdy, introspective "Sylvie" and her dad all alone in that big house, both hating themselves and feeling very broken, and longing for someone to make them feel alive again.
I started going to their house every weekend, and then after I got my license, I practically lived there for a summer--- "Sylvie" subtly trying to hit on me without even realizing how obsessed she was. The dad secretly trying to sneak peeks without realizing how obvious his desire was. Both of them jealous-- fighting each other to see who could make me happiest. Just like in Poison Ivy, there was a natural division of labor: I bought, they paid. I had a lot of fun during that time. A lot of fun. But everything gets boring, and eventually Sylvie got too needy and annoying, so I decided to move on-- after creating some spectacular fireworks. At some point, I'll write all that and post it.